ABOUT
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Frame by Frame is my blog about nonfiction visual storytelling from critique to practice. I am an Emeritus Professor of Media & Journalism, Missouri State University. Co-founder of Carbon Trace Productions 501(c)(3) documentary film studio. I continue to work on nonfiction projects of all kinds. See my documentary site Eyewitness. I’m available for hire as a director, cinematographer, editor, and news photographer. Based in Aveiro, Portugal. Note: The Terms of Use published at rhetorica.net also covers this weblog.
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Category Archives: documentary film
Where I Differ With the Dogma
Cartier-Bresson’s “decisive moment” is, arguably, the most famous advice for making excellent photographs of a particular kind, i.e. pictures of people living their lives. It’s advice embraced by street photographers with documentary and/or journalistic intent. The dogma of Terrence Malick … Continue reading
Posted in cinematography, documentary film
Tagged cinematography, documentary, visual style
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Visual Style Conveyed in Words — Maybe
I know why my social media content never takes off — well, besides not being broadly interesting or entertaining 😉 It’s because I’m lazy. Or, perhaps, sugar-coated: I’m only willing to put maximum effort into a limited range of creative … Continue reading
Posted in cinematography, direct cinema, documentary film
Tagged cinematography, direct cinema, documentary, visual style
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Time to Get Real
I was away the entire month of June. I spent the first week of July moving to a new apartment. I’m ready to get back to work. And I’m ready for my new routine. Why should you care? Among the … Continue reading
In Search of Human Scale
Yes, I’m still editing Trinity. But I’m also working on two new projects — both in the early stages of pre-production. The larger of the two is represented in this graphic. If you’ve been following my documentary career since the … Continue reading
Following the Story You’re Creating
One of the truths of pointing a camera at any (nonfiction) situation is that the presence of the camera changes the situation. Journalists and documentary filmmakers (should) contend with this truth moment by moment as they film. As soon as … Continue reading