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Frame by Frame is my blog about nonfiction visual storytelling from critique to practice. I am an Emeritus Professor of Media & Journalism, Missouri State University. Co-founder of Carbon Trace Productions 501(c)(3) documentary film studio. I continue to work on nonfiction projects of all kinds. I’m available for hire as a director, cinematographer, editor, and news photographer. Based in Aveiro, Portugal. Note: The Terms of Use published at rhetorica.net also covers this weblog.
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Category Archives: direct cinema
But Why?
I’ve watched all of Werner Herzog’s documentary films. And I like most of them — just not well enough for any of them to make my list of “best” documentary films. As I explained here, it should be easy for … Continue reading
Posted in direct cinema, documentary film
Tagged direct cinema, documentary, Herzog
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Maybe One for my List
I’m liking the looks of this new film due in theaters soon. It could very well earn a spot on my list of great, direct-cinema documentary films. Also visit my explanation for my list. Finally, you may wish to check … Continue reading
Posted in direct cinema, documentary film
Tagged direct cinema, documentary, visual style
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My 2024 Reel: Ready Before 2025?
I find this odd. I have a reel. It’s two years out of date and a little clunky. I should be motivated to update it. But I’m having trouble, I think, because I have a lot of work going on … Continue reading
Posted in cinematography, direct cinema, documentary film
Tagged cinematography, direct cinema, portfolio, video reel
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Visual Style Conveyed in Words — Maybe
I know why my social media content never takes off — well, besides not being broadly interesting or entertaining 😉 It’s because I’m lazy. Or, perhaps, sugar-coated: I’m only willing to put maximum effort into a limited range of creative … Continue reading
Posted in cinematography, direct cinema, documentary film
Tagged cinematography, direct cinema, documentary, visual style
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Following the Story You’re Creating
One of the truths of pointing a camera at any (nonfiction) situation is that the presence of the camera changes the situation. Journalists and documentary filmmakers (should) contend with this truth moment by moment as they film. As soon as … Continue reading
Posted in direct cinema, documentary film
Tagged direct cinema, documentary
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