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Frame by Frame is my blog about nonfiction visual storytelling from critique to practice. I am an Emeritus Professor of Media & Journalism, Missouri State University. Co-founder of Carbon Trace Productions 501(c)(3) documentary film studio. I continue to work on nonfiction projects of all kinds. See my documentary site Eyewitness. I’m available for hire as a director, cinematographer, editor, and news photographer. Based in Aveiro, Portugal. Note: The Terms of Use published at rhetorica.net also covers this weblog.
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Category Archives: direct cinema
How Does Malick Look?
In the previous installment of this series I asked what happens when you run the well-worn narrative framework of sequence filming through the decisive moment and the dogma of Terrence Malick? I still don’t have an answer, but I work … Continue reading
Posted in cinematography, direct cinema, videography
Tagged cinematography, direct cinema, documentary, visual style
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But Why?
I’ve watched all of Werner Herzog’s documentary films. And I like most of them — just not well enough for any of them to make my list of “best” documentary films. As I explained here, it should be easy for … Continue reading
Maybe One for my List
I’m liking the looks of this new film due in theaters soon. It could very well earn a spot on my list of great, direct-cinema documentary films. Also visit my explanation for my list. Finally, you may wish to check … Continue reading
Posted in direct cinema, documentary film
Tagged direct cinema, documentary, visual style
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My 2024 Reel: Ready Before 2025?
I find this odd. I have a reel. It’s two years out of date and a little clunky. I should be motivated to update it. But I’m having trouble, I think, because I have a lot of work going on … Continue reading
Posted in cinematography, direct cinema, documentary film
Tagged cinematography, direct cinema, portfolio, video reel
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Visual Style Conveyed in Words — Maybe
I know why my social media content never takes off — well, besides not being broadly interesting or entertaining 😉 It’s because I’m lazy. Or, perhaps, sugar-coated: I’m only willing to put maximum effort into a limited range of creative … Continue reading
Posted in cinematography, direct cinema, documentary film
Tagged cinematography, direct cinema, documentary, visual style
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