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Frame by Frame is my blog about nonfiction visual storytelling from critique to practice. I am an Emeritus Professor of Media & Journalism, Missouri State University. Co-founder of Carbon Trace Productions 501(c)(3) documentary film studio. I continue to work on nonfiction projects of all kinds. See my documentary site Eyewitness. I’m available for hire as a director, cinematographer, editor, and news photographer. Based in Aveiro, Portugal. Note: The Terms of Use published at rhetorica.net also covers this weblog.
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Documentary Association of Europe
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Monthly Archives: May 2024
What Does My List of Films Mean?
The films listed in my last post generally have one thing in common: Each is an example of direct cinema to varying degrees. The Wikipedia definition is as good as any: Like the cinéma vérité genre, direct cinema was initially characterized by filmmakers’ … Continue reading
My List of (insert adj. here) Documentary Films
If, for some strange reason, I’m in search of something to post on Twitter, I can always count on someone publishing a “best of” list of documentary films. These lists rarely change — each is, typically, a recounting of the … Continue reading
Street Photography is so Square
I still use Instagram. I still use it for its originally-intended purpose — sharing pictures. It’s become a bit more “useful” over the years. Not a good thing, in my opinion. I enjoy the square format, although I will sometimes … Continue reading
Posted in documentary photography, street photography
Tagged documentary, streetphotography
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Filming the Culture of Portugal
I have three related projects going on now. All of them focus on Portuguese culture. This video is one in series of black & white, widescreen (2.2:1 – 1920 x 874) mini-docs I’ve been producing on my Google Pixel phone … Continue reading
Posted in documentary film, web series
Tagged black&white, culture, documentary, Portugal, widescreen
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A24 Releasing (burying?) The Sixth to Amazon Prime
Sam Adams, in Slate, asks why A24 would bury its newest documentary film The Sixth. He calls it buried because there will be no theatrical release. Here’s Adams’ thinking: Instead of streaming for free on Prime to a potential audience … Continue reading